'sexpowermoney', 140x115cm, acryl on canvas
With ‘SEX POWER MONEY’ Rameckers makes visual what he believes to be the three factors that still drive people in everyday life: sex, power and money. Despite endless ever-growing civilization, everyone can recognize these old-as-time motives, with all the consequences they entail. Whether you’re a man or a woman, black or white, rich or poor. It’s the subconscious super human ego that overpowers the altruist. By exposing men’s desires, Rameckers work can be seen as self-criticism, disguised in lobby language. Nevertheless, the artist acknowledges with a hint of literal colourful optimism that self-criticism is the beginning of the solution. Rameckers uses bright colourful letters to cover up every inch of the canvas with the same three words until there is no blank space left, representing the universal meaning these words have on humankind and the amount of space they take up in our minds. by LAUREN HERMANS
'A B A-the big circle', 140x115, acryl on canvas
Commission, client ARAPAHA, Maastricht -closeloop-climatefriendly-sustainable-biocirculair-
'after nature-balance-'
branch, artificial tree, rope. 201cm x30cmx10cm. branch bottem 125cm. the sculpture moves by a little puch of a human being.
Pascale Leenders/Han Rameckers: ‘' a forest' #2
container with glass 600x240x240cm. 2 photos on dispro 300x200. tree, iron, dough soft.
'sexpowermoney' #13. 200 x 180 x 2 cm.
With ‘SEX POWER MONEY’ Rameckers makes visual what he believes to be the three factors that still drive people in everyday life: sex, power and money. Despite endless ever-growing civilization, everyone can recognize these old-as-time motives, with all the consequences they entail. Whether you’re a man or a woman, black or white, rich or poor. It’s the subconscious super human ego that overpowers the altruist. By exposing men’s desires, Rameckers work can be seen as self-criticism, disguised in lobby language. Nevertheless, the artist acknowledges with a hint of literal colourful optimism that self-criticism is the beginning of the solution. Rameckers uses bright colourful letters to cover up every inch of the canvas with the same three words until there is no blank space left, representing the universal meaning these words have on humankind and the amount of space they take up in our minds. By LAUREN HERMANS 2020
'powersexmoney' 220 x 180 x 2 cm.
With ‘SEX POWER MONEY’ Rameckers makes visual what he believes to be the three factors that still drive people in everyday life: sex, power and money. Despite endless ever-growing civilization, everyone can recognize these old-as-time motives, with all the consequences they entail. Whether you’re a man or a woman, black or white, rich or poor. It’s the subconscious super human ego that overpowers the altruist. By exposing men’s desires, Rameckers work can be seen as self-criticism, disguised in lobby language. Nevertheless, the artist acknowledges with a hint of literal colourful optimism that self-criticism is the beginning of the solution. Rameckers uses bright colourful letters to cover up every inch of the canvas with the same three words until there is no blank space left, representing the universal meaning these words have on humankind and the amount of space they take up in our minds. By LAUREN HERMANS 2020
'quantity of calcium in the body of han han rameckers'
15x15x3, part of the elements of the the body of han rameckers
'we would like to tell you why -click clack-'
25 pieces for the staff of Zuiderlicht, Maastricht. christmas 2013. two ostrich eggs, string and rubbing letters
'la petite monde'
'zomerexpositie/exposition d'été,' Eben-Emael, B. different sizes, different materials
demonstrations sign for street action.
'open art', Eschweiler, D. in collaboration with Rudy Beerens NL., Gottfried Wahlter D. en Joseph Schneider D.
'shadows/sougia'
photo made of the shadow of trees on a white sheet of paper. 2010 shown at BenC Gallery, Maastricht, NL.
'we would like to tell you why'
De Bewaerschole, Burg Haemstede, NL. Picture outside the building in the twilight.
'what am I doing here'-'sexpowermoney-tumor'
'lobby del arte', Quartaire, Den Haag, Nl. Wall painting and object made on site
'the beginning of the end/memory'
'mens' is a place in france and in dutch it means a person. photo and watercolor caps
'blood sweat and tears' -the prostitution of science-
on the occasion of the 25th anniversary of the University of Maastricht
'paint me'
three mobile work islands with pre-decorated paintings- 220x180x6- and various wall objects made from beer cans from previous openings
'warum lässt gott schmerzen zu?'
an installation in an old fabric (kratzenfabriek) inspired by a 'wound' in the floor. Transit 1, Aachen, Germany
'wir lieben uns, alles ist anders'
different materials, different sizes. 'afval anders', Provinciehuis Limburg, Maastricht, Netherlands
'wir wollen etwas neues'
Different sizes. Hommage Paysage, Forteresse de Mimoyeques (base V3), Landrethun-le-nord, F.
'lieb uns-target'
box, different materials, wood, glass, syringes, color, glassworks, insulation material, tubes, target, demo puppets (lieb uns), 220x40x40
'summerproject Lokaal 01'
i.s.m. Hans Snoek, we blow up the invitation and put it outside the empty exhilitionspace of Lokaal 01, Breda, NL.
'Een en duizend museum'
In co. with Hans Snoek, Maastricht, NL. Mona Lisa ( la Gioconda). Het beroemde schilderij van Leonardo da Vinci, wellicht het beroemdste vrouwenportret ter wereld